예술이란 인간의 두뇌활동이 아니라 마음의 작용에 기초를 두고 있는 것
휴업끝
나는 그 악마와 대면하고 있는 동안 숨쉬는 행위조차도 무의미한 것으로 간주할 정도였다.
끊임없는 진술조의 대사
나의 조수들
그는 주인공이 말하는 노란 꽃을 관념으로만 파악할 뿐 결코 이해할 수 없었다.
이는 전적으로 나의 기호와 판단에 따른 선택이었고 어느 누구의 조언도 받은 바가 없다.
He had a group of singers sing some see-balads.
When he didn`t not arrive, what happened?
a lot of experienced sailors said that he could make it but it would probly take him up to 150days
He thought that it was very important in the development of his work. He felt very strongly about it.
He had very romantic feelings about the whole effort and all of the...
That was very expressive of his feelings, the freedom of oceon, the challenge of the seas. He had terrifically romantic feelings about that.
Had he been traveling much before?
What did he feel as an artist in relation to the art wold?
One is a color tape of him from his chest to his hips with a vase of flowers in front of him, red yellow and blue and he rearranges them to bing all red, all yellow and all blue, and it was shown at Samangallery, Genoa, as a series of 21photographs
Did he do any physical training?
No, but he was in really good shape, he was slim and muscular and generally very active
They were a couple of books on navigation, and a couple of books on Hegel. He didn´t want to take a lot of books because he was sure he would´nt have time to read them, or space. He figured all most all of his walking time would be taken up by sailing and boat repairs, pratical things
배용균 인터뷰 ´그 남자가 해천으로 간 까닭은´ (키노,1997,12)
메리 슈 아더 인터뷰 (로스엔젤레스,1976, 5, 28)
(<Bas Jan Ader: Filme, Fotografien, Projektionen, Videos und Zeichnungen aus den Jahren 1967-1975>에서 발췌)
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Interview mit Bea, Yong Kyun (Kino, 12,1997)
Interview mit Mary Sue Ader (Los Angeles, 28.5.1976) aus dem Buch<Bas Jan Ader: Filme, Fotografien, Projektionen, Videos und Zeichnungen aus den Jahren 1967-1975>